Now remastered for Audium’s newest sound technology, Audium 11 dives into the primordial world buried beneath the surface of consciousness; the shifting sonic layers deep inside us all. Listeners will be immersed in urban sounds more familiar, as well as a vast assortment of electronic sounds in the abstract. In Audium’s pitch-black, 176-speaker space, a calm scene in a cafe can become a raucous thunderstorm, and dark ethereal rumblings can morph into pleasant piano tinkling. 

Audium’s entire theater has been reimagined with sound compositions by father-son duo Stan and Dave Shaff.

Tickets on sale here.

The culminating show of the 2024/25 residency, featuring the works of Shanti Lalita, Phillip Laurent, and Briana Marela

Resident artists at Audium are offered a unique opportunity to explore sound movement, texture, and spatialization within Audium’s one-of-a-kind, pitch-black 176-speaker space.

More info here.

Red Clay Sound Haus presents a final show series after a two-year residency at Audium. Tossie Long and the RCSH Collective will  explore The Sound of Black San Francisco. Body, architecture and desire feature in a collection of run-ins, synchronicities, memories and predictions poised for performance, unearthing a symphonic tapestry of sound.

More info here.

Wonder what Audium sounded like in the 70s?

Audium VI rewinds audiences back to 1975. Originally composed on tape by Audium co-founder Stan Shaff, this piece premiered in October 1975 at the grand opening of Audium’s home on 1616 Bush Street.