Head down below, to a place beneath the surface. A place where time slows down, and sonic events unfold with subtle precision and startling intent. The Depths is a sound world that asks for your patience, but where you end up is worth the wait.

More info here.

Tickets on sale here.

One of the first Audium compositions, originally premiering in 1969 by Audium co-founder Stan Shaff. Find yourself inside an old muscle-car, feel a Pan-American flight fly right through you, and meditate in a cacophony of fog horns. One can only imagine what audiences at that time (54 years ago!) must have thought. 

Now, following in his dad’s footsteps, David Shaff has reworked his father’s sounds for Audium’s current system. The younger Shaff will perform a live spatial movement of Audium V on 12/13.

More info here.

Tickets on sale here.

The culminating show of the 2024/25 residency, featuring the works of Shanti Lalita, Phillip Laurent, and Briana Marela

Resident artists at Audium are offered a unique opportunity to explore sound movement, texture, and spatialization within Audium’s one-of-a-kind, pitch-black 176-speaker space.

More info here.

Red Clay Sound Haus presents a final show series after a two-year residency at Audium. Tossie Long and the RCSH Collective will  explore The Sound of Black San Francisco. Body, architecture and desire feature in a collection of run-ins, synchronicities, memories and predictions poised for performance, unearthing a symphonic tapestry of sound.

More info here.

Wonder what Audium sounded like in the 70s?

Audium VI rewinds audiences back to 1975. Originally composed on tape by Audium co-founder Stan Shaff, this piece premiered in October 1975 at the grand opening of Audium’s home on 1616 Bush Street.